I got to see a few acts I had never seen live before at this past summer’s PDX Pop Now festival. It was a quintessential PDX Pop Now experience with hot sun beating down on a multi-generational crowd, musicians in slightly self-conscious athletic wear battling each other in a match of Rigsketball, and the soothing scent of food cart burritos wafting through the air. It was also a quintessential PDX Pop Now experience, because it featured transformative performances from local artists and little kids schooling all us jaded adults on how to interpretive dance our hearts out.
I first caught Bryson Cone, a psychedelic/dream pop act with a perfect combination of catchy, inventive songwriting and lush, expansive arrangements. The band also featured members of prestigious local bands Cat Hoch and Reptaliens and everyone onstage had an undeniable chemistry.
Next Moorea Masa and the Mood effortlessly blended folk and R & B elements with a super tight but also highly emotive set. Most notable were the stellar vocals from both Masa herself and her backup singers, who at one point stilled the crowd with a stirring a cappella number.
Finally, I witnessed a performance by experimental electronic musician Omari Jazz. He lists his hometown on his Facebook page as The Chronosynclastic Infundibulum. This seems appropriate for someone whose beats and soundscapes have the ability to make the listener feel unfettered by the constructs of time and space. The music undulated in mass of interwoven polyrhythms and novel timbres. It was at once a party and a meditation as the crowd bobbed and swayed and, I assume, let their minds drift into space for a while.