Category Archives: Notable Review

Super Beautiful Magic Says It All (King Black Acid Album Review)

King Black Acid is for music fans who think that great bands and great recordings are a thing of the past. These types of listeners will be happily proven wrong. King Black Acid’s latest full length album, Super Beautiful Magic, is a medium tempo many layered cinematic journey and a high quality production. The band is often compared to Pink Floyd, though any similarity is purely coincidental. Daniel John Riddle, who goes by the pseudonym King Black Acid, cites some of his influences as Kate Bush, Brian Eno, Fiona Apple, George Harrison, and Neil Young. The influence of Bowie is also evident, especially in the third and fourth tracks, “Sing About Love” and “Big Gummo.”

Daniel says the band “creates a unique listening experience by dreaming deep into each piece of music.” The first song on the album, “Welcome Home down the Rabbit Hole”, starts the psychedelic journey, which is punctuated by excellent drumming, guitar solos, and dreamy ethereal soundscapes that build in intensity and anticipation. In a very smooth maneuver, “The Good Life” continues, without pause, directly into “Spirit” with gorgeous horns and vocals. “Breathe the Light” is another outstanding track among many.

Riddle recorded and produced the entire album in his home studio, Mazinga Studio, where he records and produces albums for his label, Mazinga Records. Over the years, Riddle has recorded and produced five King Black Acid studio albums, two EPs, a multitude of singles and original musical scores for productions such as The Mothman Prophecies, Buffy the Vampire Slayer, and CSI. The band is being inducted into the Oregon Music Hall of Fame on October 14th.

KBA recently released a music video for the second song on the album, “The Best Lies”. However, to do the album justice, it needs to be heard in its 13 track entirety. Check out Super Beautiful Magic wherever you listen to music- iTunes, Amazon, Spotify, YouTube, etc. And catch the band live in Seattle on October 14th or in Salem on Nov 18th.

Link to video

Tumbledown Sounds Fresh, yet Familiar (album review) – A.K.A. The Trimet Connection

Tumbledown’s latest release In Between kicks off with a song called Friend in Texas that immediately conjures up an image that suits this 5 piece band. This is Americana that will have you humming and tapping your foot within minutes, if not seconds. The opening tune includes a harmonica jam that pretty much settles any questions about what this band is about. Even if you don’t have a friend in Texas, you’ll find yourself singing along.

Tumbledown has two lead singers, Tyler South and Scott Robertson, collaboratively songwriting, and swapping lead and harmony singing. Drummer, John Markealli, lays down a solid beat for the rest of the band to build upon, creating catchy dynamics that are fresh, yet immediately familiar. Bass player, Brian Panulla, adds a third harmony and occasional lap steel guitar.

Fun fact: this band has a deep TriMet connection. Brian joined in 2014 after seeing them play at a TriMet function. Keyboard player Dave Whipple, who works at TriMet, joined in 2015 after seeing them play at a TriMet function. Scott also works at TriMet. It seems like TriMet functions are a great place to meet friendly musicians!

It’s clearly evident that the band takes inspiration from Tom Petty, Neil Young, and other icons of the songwriting craft. While the band has over 30 songs, they chose to focus on producing what they felt were their best 7 songs for this debut EP, which explains why it is so strong from start to finish.

Tumbledown also sounds great in person. Catch them live on Saturday, September 9, at Skyline Tavern or on Tuesday, September 19, at McMenamin’s White Eagle.

In Between” was released on Feb 17, 2017.

Leona, unusually beautiful poetry in song

Leona announced her full length solo album, 2:11, on Feb 11, 2017 with this post “please talk to me about these songs, they were all made in the last 2 months and 11 days and in response to the situation of the world”.

The 11 songs on this album are spare of instrumentation, with only a minimal bass or piano as a backdrop for her delicate airy voice. Ghost-like falsetto backing vocals are distorted and distant, evoking nostalgia for an era gone by, like an old transistor radio. The lyrics might be the inner voices echoing in her head, exposed and provocative.

In the first track, Blood, Leona sings “I am a story wrapped up in skin. I’m ready… to begin.” My favorite song might be kingbabybrave (listen below), whose words “I want to be brave like a white boy” trigger questions about social forces and insecurities. The album leads the listener along an engaging path towards the uplifting harmonies in destiny beckons where the lyrics “if you take me I won’t pretend I don’t want to go” are characteristically bare and honest. The closing song, night thoughts, neatly wraps up this masterpiece with the words “you say tomorrow like it’s a guarantee”.

There are some open questions-for example, recording and production credits are missing, and the third track ends with a 90 second silence that isn’t obviously deliberate. Even so, 2:11, unusual in its raw beauty, is what art is to me.

Floating Above the Clouds with Airport (Album Review)

The one-word band name “Airport” immediately begs the question, “what are they going to sound like?” The name Airport alludes to Jet, and to other one-word band names like Television- but I am so off the mark. What Airport sounds like is floating in the sky, stretched out in comfort above the clouds.

This band plays songs with a relaxed tempo, an occasional pedal steel guitar, and dreamy vocals that you could fall asleep to. In fact, track six is entitled “Sleeping”. Their vibe might be called country music shoe gaze (they cite MBV as an influence). It is understated hypnotic sweetness. Their strength is a consistency where one song sounds like another, creating a unified feel that you quickly get used to and fall in love with.

Airport released a full length album entitled Slow Decline of an Evening Herald on July 21. Catch them live at Kelly’s Olympian on Aug 12.

The Toads, working hard and playing hard

In all, The Toads have had four releases, totaling 27 songs, in 19 months since January 2016.  This, along with a busy gig schedule, makes the Toads the most prolific and hardworking band in Portland right now.  The thing about the Toads is that they are not only talented and hardworking, but I can honestly say that they are the friendliest guys in Portland’s somewhat clique-ish music community.  Bass player, Matt Dinaro, goes above and beyond the call of duty by supporting the scene with his music blog and editing an online poetry journal that he co-founded, Pom Pom.

Their fourth album, Time, is the second that was recorded by James Collette and Kevin Hoffman, and is the best production yet.  I prefer to hear the Toads live, but this album does a nice job of capturing the energy and enthusiasm of their live show while still retaining the crispness and clarity that makes listening to studio recordings a pleasure. The album kicks off with killer riffs that show off Matt Kane’s tasty guitar wizardry and closes with an anthem of positive vibes, Keep On Keepin’ On.  This country-pop-rock album pretty much captures the essence of Portland Summer 2017 and begs the question that so many people are asking “why aren’t these guys huge yet?”  Thanks guys! Keep on keepin’ on!  You are making people happy!