Yes! It’s her real name! Yes – she’s coming up with all sorts of fun puns for her new band name, “Birdseye Blind” being the one that made me laugh the hardest…Laryssa is a character you cannot help but love. She’s bright, funny, hopeful, and introspective. She has a sexy, smoky singing voice that comes across as intensely emotional. When talking, Laryssa is genuinely sharing energy with her audience, laughing and telling stories that naturally draw people in to listen more closely.
Laryssa has been performing around town lately – and I was lucky to catch her at Valentine’s last week. Heather Hanson, host of Portland Radio Project’s “The Bus Stop” and creator of Super Groovy Cosmic Bus Entertainment, put together a fun, light-hearted bill of artists including Improv Logic, Matt Varga, and Craig Irby, Jr. Laryssa closed out the night with some beautifully moving covers and striking originals with her new band. Vincent Jaime of ADDverse Effects and Matt Brewster, formerly of Ancient Sol, are great additions to Laryssa’s guitar and vocals. The resulting sound is full, warm, and inviting. Click on the link to listen.
Following is an interview with Laryssa Birdseye – you can catch her next at Plew’s Brews on Saturday, February 13, and at McMenamin’s Al’s Den on Tuesday, February 16, where she will be a guest of resident Will Kinky! Great opportunity to meet Will and Laryssa, as the venue is intimate and they have nowhere to hide! 7-10 PM, FREE show!
Is your band new? How long have you been together?
I’ve been writing songs for nearly ten years now, and have finally gotten around to putting them in the public eye. Both Vincent Jaime (of Addverse Effects) and Matt Brewster (formerly of Ancient Sol) are good friends of mine, and we just came together a few months ago to add additional layers to my music. They’re a great team to work with, and I’m really enjoying where we’re taking these songs.
What projects are you currently working on?
Currently, I’m working on a single with Randal Wyatt of speaker minds–something I’m very excited about, as I really admire him as an artist and as a leader in the Portland music community.
Most excitingly, I’m working with the multi-talented, badass human of a producer, Jeanot Rolland, on my first record ever. It’s a culmination of ten years of writing, and we’ve just finished up the demo. I can’t wait to show the world what we’ve been working on. I’m lucky enough to work with him, and I would highly recommend him to other artists looking for a solid producer.
What are your goals this year – musically or personally?
My goals this year include getting this record out, putting out videos, focusing on the music above all, and to keep grinding at what it is I love most in this world. Music is such a terrific unifier. I hope to impact people with my music in a positive way. I just want to reach out and touch some hearts and souls.
Fulfilling a musical bucket list dream, Oregon Country band Brass Tacks played their hearts out on PDX Spotlight last night. Their episode will appear in May, but Portland Notes can’t wait to share our excitement about this band of “brothers”, who are so earnest about what they do. The Brass Tacks are friends as well as bandmates, and most of their songs are actually fairly literal, describing experiences they have shared along their musical travels. These musicians connect with their audiences with relatable and recognizable stories – and they really do connect! They’ve been given priceless gifts from their admirers – listen to the interview below to hear two special stories that brought tears to my eyes. The passion to connect with their audience is evident even in the way these men speak about their music.
Oregon Country is a label that was casually applied to this band, but the band has embraced the name – it’s a little bit blues, a little bit rock, a lot of energy, and a complete transparency of expression. With their current musical influences being drawn from a variety of genres, their music is anything but basic. Oregon Country also means something more to them than just a style – the songs are about Oregon experiences, Oregon journeys, and Oregon hopes and dreams. Here is a link to one song about the Oregon Trail journey – “Pioneer.”
At a live show, a listener will be a friend by the end of the night because there is something to identify with in every single song. The Brass Tacks are releasing a new album soon – hoping to start revealing songs in March, they introduced the new songs on PDX Spotlight and shared the stories in an interview afterward. I particularly loved the song “Small Town Drunk!” Who among us hasn’t said, “You can’t cut me off”? Maybe not to a bartender, but perhaps to a partner or an employer…we’ve all been desperate at times. Bonding with audiences over common ground creates a comfort and familiarity that continues to draw crowds to see and hear Brass Tacks.
Portland Notes would like to thank Mike Burling for inviting us to witness the show – Mike and his impressive volunteer crew spend their time and energy to support and promote local artists, an effort that we appreciate and admire. Mike will appear on Portland Radio Project’s “Sounds of PDX” show to talk about his project, and why local music holds a special place in his heart. Luke Neill hosts Thursday night, February 11- 7-9 PM on www.prp.fm.
Have a listen to Kelly’s notable conversation with Brass Tacks and check out all the photos she took as PDX Spotlight was recording.
It’s the name of his soon-to-be-released album, but it’s also an idea that Chris Robley expresses through music. A musical artist is a Make-Believer, a pretender if you will…playing a part in order to communicate emotion and experience through lyrics, melody, instrumentation, and performance. Chris, in his week-long residency at McMenamin’s Al’s Den, became very “real” to Portland, as he shared more than his music with the audience. He shared his story and his life, even his friends with a very enthusiastic and energetic group of devoted fans.
Chris’ work with his band The Fear of Heights is well-known and appreciated for the many layers of instruments with an eerie, haunting sound that accompanies some of the purest vocals I’ve ever heard. His new project is more of an intimate conversation with listeners – each new song has a personal message. He’s a poet, intensely metaphorical, so the songs are not autobiographical – but they are overflowing with situational wisdom. I am always drawn to songs that expose the truth that “love is difficult” and “relationships are important.” I heard this message repeated in Robley’s lyrics and his stories. He is striving to let the message come through in the music, unhindered by anything extra that might distract or take away from the melodic conversation he is having with a listener. His acoustic presentation was enchanting, as he alternated his original songs with some very familiar and traditional tunes.
The new album, available to the public very soon, was produced at a friend’s beach house – completely live and in the moment. Chris was looking for the emotional intensity that comes from a group of mates experiencing music together, and syncing as they work. It’s a completely new approach for Chris, for this, his first album release in over five years. From the reaction of the audience, which was extremely positive and encouraging, he is reaching people with the new material.
In this interview, Chris touches on his move “from Portland to Portland”, his upcoming album release, and the bandmates he is so thrilled to see again – big thanks to Chris Robley and his Wednesday night guest, Little Professor, for allowing us to share the experience!
A notable conversation with Chris Robley featuring “Tonight You Belong To Me” recorded live at Al’s Den, and “Eden” from the album “The Great Make Believer”
I was blessed last night to share some very vulnerable and intimate moments with local singer-songwriters in a special showcase at Crush Bar. Hosted by Maria Webster, the showcase featured original music by Michela Miller, Adam Goldthwaite, and Sarah Vitort. Having met Sarah once before, I had been impressed by her ability to share so openly while speaking with strangers, with a visible desire to help people learn from her past experiences. Her lovely spirit shines through even more in her musical performance.
Sarah is not afraid to share her weakness and vulnerability. Her stories, both in song and in the transitions between, draw the audience in – helping us to walk in her shoes for a night, hear her struggles, and share in the relief that comes from expressing her emotions so clearly. She strives to help her audience interpret painful situations in positive, yet realistic ways. Using clever humor and being willing to expose specific and extremely delicate details of her life, Sarah invites us to listen with our hearts and look at some of the negative experiences in life as opportunities to learn and grow.
This artist is always growing. With a “Wild Heart and a Gypsy Soul”, Sarah is in transition right now, in almost every way. What a great time to meet this inspiring woman! Following is an interview with Sarah Vitort, a few pictures, and a sample of her music. You can find Sarah on iTunes, Spotify, Reverbnation and YouTube.
You sang some new songs tonight, is there a new album coming? – The theme seems to be “things one can learn from all the stages of a relationship gone wrong.” Am I close?
I’ve been playing my newer songs because I’m going through a big rebrand, we are updating my music style (I used to be straight pop country. Now I’m less country and a little edgier, bluesier, darker but still mainstream), my look, even my name! We have started recording here and there, but nothing set in stone yet for the next album.
My first album, Wild Heart Gypsy Soul, was written during my first major transformation in my life. I quit my corporate job to travel solo in South America, and my life was never the same. So that album was all about breaking out of your shell and seeing the world with new eyes. It was very upbeat, bubbly, and mostly positive, but still real for who I was at the time.
With my new music, I’m really going deeper into the dark side. I have realized that one cannot simply be positive all the time, it’s unrealistic. Life is messy and we are messy. But if you get really honest with yourself, if you really look within and take the dark in stride, your light becomes that much stronger. Relationships do that for me. They force me to see myself in less flattering light, and I really do a lot of my best processing through other people. So this new music is more raw, more honest, and I hold nothing back. I want to show people it’s ok to be vulnerable and sensitive and there is no weakness in being truthful and authentic to who you are and how you feel in the moment. We live in a society where we are so afraid to feel, and I was a victim of that mentality for so long. So this is me breaking out of that.
The reason I ask is that you seem to be very honest about wanting to use your music to help people who may be walking along a path that you have already traveled. You have some experience and wisdom to share. Are people responding to your music? I know I could identify very closely with many of your songs.
Yes! The best thing about my career so far as been people’s responses to my music, so I love playing in intimate environments like house concerts so I can connect with my audience. It’s not uncommon to have people in tears at a show, I have discovered that I have a talent for really getting past the bullshit we surround ourselves with and going right for the heart. People really seem to relate to my music, I think my writing is very universal and that’s part of why pop music appeals to me so much, I can sneak a deeper message into a catchy song and reach so many more people.
Your music seems to have country and blues influences – any other styles that you love to listen to? Who are your musical heroes?
I grew up on classic pop and rock, and mainstream pop music. My dad works for a pop radio station, so I was deeply ingrained in pop music from day one. But my parents era of music was very prevalent too, that’s where the blues comes from. I love 70s music of all kinds, soul, funk, rock, all of it. I remember my dad listening to it on full blast outside in the summers doing yard work and cleaning the garage. It’s nostalgic for me and that era is so attractive to me for so many reasons.
I also love really sexy loungy stuff, Motown, soul, and big band, those are elements I’d like to bring more into my music as I continue to write. I also love any artist doing something a little wild, my new brand will allow me to show all sides of me, and I have many! My major influences now are ZZ ward and Zac Brown Band, other influences include Taylor Swift, Joni Mitchell, Katy Perry, the Eagles, Janis Joplin, Elle King, to name a few.
You mentioned writing songs with your sister when you were teenagers. I always love to hear that music has been a driving force in someone’s life since childhood. What’s the first song you remember singing for people? Either one you wrote, or one you “covered.”
When I was 4, I was incredibly shy. I barely said a word in preschool, I had decided early on that I preferred acting like a dog to acting like a human, and I really committed to that lifestyle ;). So my preschool teachers were shocked when one day, out of nowhere I raised my hand and asked if I could sing for the class. I sang “Somewhere Out There” from Fivel Goes West, a Capella, start to finish, then sat back down in silence. I wish someone would have filmed it.
You have an event coming up with Metts, Ryan & Collins – it seems like a very good choice by Jason Fellman to put you all together. Are you excited?
This is the most excited I’ve ever been for a show, and that is saying something because performing is like breathing to me. I love the Doug Fir, and I’ll be playing with a full band which allows me so much more expressive freedom onstage. And not to mention Redwood Son and Metts, Ryan & Collins are both incredibly badass bands, I’m honored to share the stage with them and I think the lineup couldn’t be more brilliant. Jason Fellman knows his stuff!
Where are you going from here? How can we find your music and your concert schedule?
The next big step is this rebrand, which will be rolling out over the next few months. We are also starting to work on recording demos of my new stuff and booking as many gigs as possible! I’m trying to do a house concert tour this summer, so I’m looking for hosts! Spotify and iTunes are the best places to listen to my music, I also have a few songs on ReverbNation. The best place to find my show schedule is my website, www.sarahvitortmusic.com, and I’m the most active on Facebook at Sarah Vitort Music, Instagram at @sarahvitort and on Snapchat: sbvitort.
Though I can deeply identify with the place Sarah speaks from right at this very moment, I am looking forward with great anticipation to seeing what she has planned next with her rebrand. Look for her to appear in an upcoming “Local Women in Music” series on Portland Notes.